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Padmavathy considered Padmabhushan Late Dr. S. Balachander as her 'Manaseeka Guru' - her source of inspiration and was also privileged to perform along with him. He sent her on a teaching assignment to Singapore for a period of 8 years to work as a professor for vocal and veena at the Singapore Indian Fine Arts Society. Her husband, Sri. A. S. Ananthagopalan also accompanied her and worked as a professor for violin at the same institution. While at Singapore, she published two books in collaboration with the Indian Fine Arts Society for the benefit of students of music called 'Shadjam' and 'Rishabam'. Padmavathy is a very great teacher and many of her students are successful concert performers in veena, vocal and violin.
She returned to India in 1983 and established a school exclusively for music in 1988 known as 'Sri Sadguru Sangita Vidyalaya'. The vidyalaya has been functioning very successfully for the past 10 years and has turned out highly proficient students. Recently she authored a book for the beginners in Carnatic Music known as 'Abhyasa Manjari'. Following this successful venture, she came out with a series of cassettes known as 'Abhyasa Ganam'.
Smt. Padmavathy plays the veena in the Gayaki style. She emulates all the nuances and gamakas found in the vocal music. She has specialised in Thanam playing and has established a style of her own. Padmavathy is an 'A' grade artist and has been featured regularly in the AIR and T.V. networks. She has performed all over India and abroad. In 1990, she toured the United Kingdom. In 1995, she was invited for a concert tour by one of the premier organizations for music in United States called 'Bhairavi'. She successfully completed the coast to coast tour along with her niece and disciple Veenai Jayanthi. During this tour she also played at the much-reputed Cleveland Thyagaraja Aradhana festival. In 1996, the duo again went on a major concert tour to the United States, Malaysia and Singapore.
Smt. Padmavathy has many awards and titles to her
credit. She was recently awarded the titles 'Gana Saraswathy' and 'Nada
kanal'. Padmavathy is constantly researching and is coming out with innovative
ideas to popularize the veena all over the globe. She has designed a new
portable veena in which the instrument could be dismantled without loss
in tonal quality and can be carried very easily to any part of the world.
At 64, Padmavathy continues untiring to spread the message of Carnatic
music all over the world.
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